I don’t make the rules, I just pick a winner.
(I’m only devoting one post to this because dragging it out would be a pointless exercise; if you don’t already know what my favorite movies are, please go back and read some of my blog. For more explanation behind any of the choices, feel free to get in touch.)
North Region
#1 Mad Max: Fury Road vs. #16 Sinister (I will never understand how Toy Story 3 lost to the latter, but it makes the competition easier)
#2 Hell or High Water vs. #15 Locke
#3 Roma vs. #14 Under the Skin
#4 The Nice Guys vs. #13 Annihilation
#5 Nightcrawler vs. #12 The Revenant
#6 La La Land vs. #11 John Wick: Chapter 3 – Parabellum
#7 Phantom Thread vs. #10 Gone Girl
#8 Blindspotting vs. #9 The Master
#1 Mad Max: Fury Road vs. #8 Blindspotting
#3 Roma vs. #6 La La Land
#4 The Nice Guys vs. #12 The Revenant
#10 Gone Girl vs. #15 Locke
#1 Mad Max: Fury Road vs. #4 The Nice Guys
#6 La La Land vs. #15 Locke (almost had either Hardy vs. Hardy or Gosling vs. Gosling, but it wasn’t meant to be)
#1 Mad Max: Fury Road vs. #6 La La Land (both movies should’ve won Best Picture in their respective years)
East Region
#1 Inception vs. #16 Deadpool (apparently they hate Pixar because Coco also lost)
#2 The Martian vs. #15 Booksmart
#3 The Raid 2 vs. #14 Spider-Man: Homecoming
#4 Whiplash vs. #13 The Town
#5 Spotlight vs. #12 Lady Bird
#6 Black Panther vs. #11 The Intouchables
#7 Mission: Impossible – Ghost Protocol vs. #10 Moonrise Kingdom
#8 Spider-Man: Into the Spider-Verse vs. #9 12 Years a Slave (could two movies be more diametrically opposed?)
#1 Inception vs. #8 Spider-Man: Into the Spider-Verse (don’t do drugs)
#3 The Raid 2 vs. #6 Black Panther (one of the best action films of the decade knocks out two MCU movies in a row)
#4 Whiplash vs. #12 Lady Bird
#7 Mission: Impossible – Ghost Protocol vs. #15 Booksmart
#3 The Raid 2 vs. #15 Booksmart
#4 Whiplash vs. #8 Spider-Man: Into the Spider-Verse
#4 Whiplash vs. #15 Booksmart (never thought Booksmart would be among the final eight, but that goes to show how much I love it)
South Region
#1 The Social Network vs. #16 The Avengers
#2 Arrival vs. #15 Edge of Tomorrow (two alien-centered films, how about that?)
#3 The Big Short vs. #14 Game Night
#4 The Cabin in the Woods vs. #13 Eighth Grade
#5 Gravity vs. #12 Boyhood
#6 Birdman vs. #11 Steve Jobs
#7 Her vs. #10 Star Wars: The Force Awakens
#8 Parasite vs. #9 The Florida Project
#1 The Social Network vs. #8 Parasite (I’M SORRY, BONG JOON-HO)
#2 Arrival vs. #7 Her (isn’t Amy Adams talented?)
#5 Gravity vs. #13 Eighth Grade
#6 Birdman vs. #14 Game Night
#1 The Social Network vs. #13 Eighth Grade
#2 Arrival vs. #14 Game Night (AKA Adams vs. McAdams)
#1 The Social Network vs. #14 Game Night (see Booksmart comment)
West Region
#1 Ex Machina vs. #16 Planet of the Apes (I love the whole trilogy, but this is absolutely cheating)
#2 Get Out vs. #15 Looper
#3 Interstellar vs. #14 Manchester by the Sea (double the Affleck)
#4 The Wolf of Wall Street vs. #13 Bad Times at the El Royale
#5 Inside Out vs. #12 Paddington 2 (HOW DARE YOU, both should be in the next round)
#6 Zero Dark Thirty vs. #11 BlacKkKlansman
#7 The Descendants vs. #10 Scott Pilgrim vs. the World
#8 Black Swan vs. #9 Dunkirk
#1 Ex Machina vs. #9 Dunkirk
#2 Get Out vs. #10 Scott Pilgrim vs. the World
#3 Interstellar vs. #11 BlacKkKlansman (Nolan has had the worst luck in this bracket)
#4 The Wolf of Wall Street vs. #5 Inside Out
#1 Ex Machina vs. #5 Inside Out (2015 was a great year)
#2 Get Out vs. #11 BlacKkKlansman (ironically, Jordan Peele produced both)
#2 Get Out vs. #5 Inside Out (I literally couldn’t choose since both were on my personal “top 10 of the decade” list, but I also really wanted one animated film to make it)
Final Four
#1 Mad Max: Fury Road vs. #4 Whiplash
#1 The Social Network vs. #5 Inside Out
Championship Match
#4 Whiplash vs. #5 Inside Out
These two films are literally perfect; I can’t find a single element out of place in either of them. But if I have to break a tie, I’m going with the one that spoke to me on an emotional level and it’s not the one whose characters are actual emotions. Whiplash isn’t just personal because I happen to play the drums; the central theme of ambition applies to anyone who has ever dreamed of accomplishing something considered to be the highest honor. The ambiguity posed by the ending, where you’re left questioning whether Andrew should’ve overextended himself in order to win Fletcher’s approval, proves Damien Chazelle’s masterful ability to tell a story without needing to explain everything to the audience. Drawing your own conclusion plays a large part in my love for cinema and Whiplash, at least from the past decade, is the greatest example.